London Philharmonic Orchestra

Date:2019-03-04      Source:National Centre for the Performing Arts

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Venue: Concert Hall
Dates: March 14, 2019

Programme

Richard Strauss
Till Eulenspiegel's Merry Pranks, Op. 28
 
Felix Mendelssohn
Violin Concerto in E Minor, Op. 64
 Violinist: Julia Fischer
 
——Intermission——
 
Johannes Brahms
Symphony No. 2 in D Major, Op. 73

Conductor

Vladimir Jurowski

Vladimir Jurowski was appointed Principal Guest Conductor of the London Philharmonic Orchestra in 2003, becoming Principal Conductor in 2007: last season we celebrated the tenth anniversary of this extraordinary partnership.

One of today’s most sought-after conductors, acclaimed worldwide for his incisive musicianship and adventurous artistic commitment, Vladimir Jurowski was born in Moscow and studied at the Music Academies of Dresden and Berlin. In 1995 he made his international debut at the Wexford Festival Opera conducting Rimsky-Korsakov’s May Night, and the same year saw his debut at the Royal Opera House, Covent Garden, with Nabucco.

In 2021 Vladimir will take up the position of Music Director at the Bayerische Staatsoper in Munich. In 2017 he became Chief Conductor and Artistic Director of the Berlin Radio Symphony Orchestra. In addition he holds the titles of Principal Artist of the Orchestra of the Age of Enlightenment, Artistic Director of the State Academic Symphony Orchestra “Evgeny Svetlanov” and Artistic Director of the George Enescu International Festival, Bucharest. He has previously held the positions of First Kapellmeister of the Komische Oper Berlin (1997-2001), Principal Guest Conductor of the Teatro Comunale di Bologna (2000-2003), Principal Guest Conductor of the Russian National Orchestra (2005-2009), and Music Director of Glyndebourne Festival Opera (2001-2013).

His opera engagements have included Rigoletto, Jenůfa, The Queen of Spades, Hansel and Gretel and Die Frau ohne Schatten at the Metropolitan Opera, New York; Parsifal and Wozzeck at Welsh National Opera; War and Peace at the Opéra National de Paris; Eugene Onegin at the Teatro alla Scala, Milan; Ruslan and Ludmila at the Bolshoi Theatre; Salome with the State Academic Symphony of Russian Federation; Moses und Aron at the Komische Oper Berlin; Iolanta and Die Teufel von Loudun at Semperoper Dresden, and numerous operas at Glyndebourne including Otello, Macbeth, Falstaff, Tristan und Isolde, Don Giovanni, The Cunning Little Vixen, Péter Eötvös’s Love and Other Demons, and Ariadne auf Naxos. In 2017 he made an acclaimed Salzburg Festival debut with Wozzeck and his first return to Glyndebourne as a guest conductor, in the world premiere production of Brett Dean’s Hamlet with the LPO.

Artist

Julia Fischer Violinist

One of the world´s leading violinists, Julia Fischer is a versatile musician also known for her extraordinary abilities as a concert pianist, a chamber musician and a violin teacher. Born in Munich to German-Slovakian parents, Julia received her first violin lessons at the age of 3 and her first piano lessons shortly after from her mother Viera Fischer. At the age of 9 she started studying with the renowned violin professor Ana Chumachenco, later becoming her successor. The first prize at the International Yehudi Menuhin Competition in 1995 was one of the milestones in her early career and she has since performed with top orchestras worldwide frequently working with renowned conductors such as Herbert Blomstedt, Riccardo Muti, Esa-Pekka Salonen, Yuri Temirkanov and Franz Welser-Möst.

Julia Fischer starts the 2018/2019 seasons touring Europe with her long-time chamber music partners Nils Mönkemeyer and Daniel Müller-Schott. She then embarks on a tour of Asia with the London Philharmonic Orchestra and Vladimir Jurowski performing in Seoul, Taipei, Beijing and Shanghai as well as with the Dresdner Philharmonie and Michael Sanderling with concerts in Japan and Korea. She is joined by violinist Augustin Hadelich for an extensive tour of Germany with the Academy of St Martin in the Fields, an orchestra she frequently collaborates with. Highlights of the last season include concerts with the Bayerisches Staatsorchester under Kirill Petrenko at the Elbphilharmonie in Hamburg and New York’s Carnegie Hall and a residency with the Wiener Symphoniker and Philippe Jordan.

In 2011 Julia Fischer founded her own Quartet with Alexander Sitkovetsky, Nils Mönkemeyer and Benjamin Nyffenegger and continues to tour extensively in this formation. Her concert at the Alte Oper Frankfurt in 2010 marked her debut as a pianist: She performed Grieg’s Piano Concerto in the second half of the concert, having played Saint-Saëns’s Violin Concerto No. 3 in the first half. The performance is available on a Decca-released DVD. Teaching is another integral part of her musical life as she continues to nurture and guide young talent. In February 2019, she will perform together with her students Eva Zavaro and Louis Vandory with the Kammerakademie Potsdam at the Berliner Philharmonie. She regularly gives masterclasses at Musikferien at Starnberger See.

Over the course of her artistic career, Julia Fischer has released numerous critically acclaimed and awarded CD and DVD recordings, first under the Pentatone label and later under Decca. Breaking new ground in the classical music market, she has recently launched her own music platform, the JF CLUB, which offers exclusive audio and video footage, previews of her new recordings as well as personal insight into music and her work. The six solo sonatas by Eugène Ysaÿe, César Franck’s Sonata in A Major and Karol Szymanowski’s Sonata in D Minor are all available exclusively on JF CLUB.

Julia Fischer holds numerous awards including the Federal Cross of Merit, Gramophone Award and the German Culture Prize. She plays a violin by Giovanni Battista Guadagnini (1742) as well as an instrument made by Phillipp Augustin (2018).

Presenter

London Philharmonic Orchestra

One of the finest orchestras on the international stage, the London Philharmonic Orchestra balances a long and distinguished history with its reputation as one of the UK’s most forward-looking ensembles. As well as its concert performances, the Orchestra also records film soundtracks, releases CDs on its own record label, and reaches thousands of people every year through activities for families, schools and community groups.

The Orchestra was founded by Sir Thomas Beecham in 1932, and has since been headed by many great conductors including Sir Adrian Boult, Bernard Haitink, Sir Georg Solti, Klaus Tennstedt and Kurt Masur. In 2017 Vladimir Jurowski celebrated his tenth anniversary as the Orchestra’s Principal Conductor. Andrés Orozco-Estrada took up the position of Principal Guest Conductor in 2015.

The London Philharmonic Orchestra has been performing at Southbank Centre’s Royal Festival Hall since it opened in 1951, becoming Resident Orchestra in 1992. It also has flourishing residencies in Brighton and Eastbourne, and in summer plays for Glyndebourne Festival Opera where it has been Resident Symphony Orchestra for over 50 years. Touring abroad forms a significant part of the Orchestra’s schedule: highlights of the 2018/19 season include a major tour of Asia including South Korea and China, as well as performances in Belgium, France, Germany, The Netherlands, Spain, Greece, Switzerland and the USA.

The London Philharmonic Orchestra broadcasts regularly on television and radio. It also works with the Hollywood and UK film industries, recording soundtracks for blockbusters including the Oscar-winning score for The Lord of the Rings trilogy. In 2005 it established its own record label.

In summer 2012 the London Philharmonic Orchestra performed as part of The Queen’s Diamond Jubilee Pageant on the River Thames, and was also chosen to record all the world’s national anthems for the London 2012 Olympics. In 2013 it was the winner of the RPS Music Award for Ensemble.

The London Philharmonic Orchestra maintains an energetic Education & Community programme including the BrightSparks schools’ concerts and FUN harmonics family concerts. Its work at the forefront of digital engagement and social media has enabled the Orchestra to reach even more people worldwide: with all its recordings available to download from iTunes as well as a YouTube channel and regular podcasts, the Orchestra has a lively presence on social media.